Hero ( film) - Wikipedia
Adapted in part from Wikipedia hidden-facts.info(_film). HERO () Jet LI. Fei Xue “Flying Snow”. Maggie CHEUNG. Can Jian “ Broken Sword” Tony LEUNG. Chang Kong with their personal desires for revenge, and with their relationships to each other. . At the end of the film the Qin king himself. Hero is a Chinese wuxia film directed by Zhang Yimou. Starring Jet Li as the nameless . As the film ends, Nameless receives a hero's funeral and a closing text The film also has been interpreted as a nuanced investigation into the relationship between culture on one hand, and political or military power on the other. My Father is a Hero () on IMDb: Movies, TV, Celebs, and more. This is one of my all time favourite Jet Li films, and I've seen all but 4 of them (that have .. Of the action, a nifty three-on-one near the end may require the odd rewind. . An undercover cop takes on one last dangerous assignment, relations involved, etc.
But there is a twist since it becomes apparent that Nameless may not be a reliable narrator. He is prompted by the King to remember things differently, so that we experience some of the same events twice with different outcomes as the stories are re-told.
Towards the end of the film, the narrative returns to the present and in this final sequence we experience events in parallel — what is happening to Nameless in the palace and what is happening to Broken Sword and Flying Snow in the mountains.
Hero (China/Hong Kong ) – Narrative analysis | The Case for Global Film
This kind of narrative structure is not unique, although it is unusual. Defeating an enemy is not all about action. It also involves psychology and out-thinking an enemy.Hero (2002) - The Ending
Then he changes his story and a witness gives a fourth version. In Hero we get at least three different narrators.
Nameless begins the story, but is then interrupted by the King and later by Broken Sword, both of whom recount their own experiences which Nameless would not necessarily know. China is eventually unified. Because of the history of the writer-director and the nature of the wu xia genre, what do we take away from the story?
Are we confident that the second version of events is more truthful than the first? Questions of colour, cinematography etc. Several of the filmmakers from this period became famous around the world as their films received screenings overseas and won prizes at festivals. In the late s China emerged from a long period of isolation from the rest of the world and many of the films seen in the West were interpreted as saying something about the history of China under Mao Zedong in the s to s — not directly, but by means of metaphor.
Zhang Yimou began as a cinematographer and then moved on to become a director. He quickly established a reputation as a director with enormous visual flair and in particular, the use of colour. At the centre of each image is a very beautiful woman, played in each case by Gong Li. The combination of Zhang and Doyle was bound to be special in some way. Complementing the two is Tan Dun, the composer of the score for Crouching Tiger, but generally not a prolific composer for cinema, being known in China and internationally for his symphonic work for the concert hall.
The score uses traditional instruments and chants, but is also carefully mixed with sound effects, e. Maggie Cheung and Tony Leung in the green sequence.
What meanings might we give to each of these uses of colour? In an interview she gave this response to a question about the other four colours: Hero uses the four colours, Red, Green, Blue and White, to tie in four different segments of the story.
On the other hand, each of them also contains a different story. Green is the representation of reminiscing, blue is the struggle among the three of them [Nameless, Broken Sword and Flying Moon]. It has quite a bit of artistic love story. In addition, Hero is not a typical wuxia movie — its main theme is in no way the same as the past wuxia films, which are mostly about the seeking of vengeance or vying for the ultimate martial arts manual that leads to endless fights and killings.
It is about the love and compassion of the heroes of the world, their magnanimity, and has a kind of international spirit. The costumes in Hero are also very special: How did you come up with the color changes in the film: Hero is not a traditional martial arts movie. Anita Mui plays a tough Hong Kong cop who uncovers Li for who he is, and makes it her duty to protect the kid.
Where this film falls flat is the incredibly unbelievable action sequences and plot circumstances.
I don't want to give any spoilers, but just as an example- Anita Mui and this little kid taking down five or six armed thugs. I don't care if she is the top Hong Kong cop, and I don't care if the kid is the world's greatest kung fu kid- no WAY. How about Jet Li and the kid defeating even larger groups of terrorists in a specific way that both defies gravity and is laughably lame? That's just two examples of many instances where this becomes nearly un-watchable.
I'm not saying an action movie has to be realistic to be entertaining, but please don't insult the viewers intelligence! To be fair, this film isn't totally lost. Li does one of his better acting jobs, and Anita Mui is excellent. The drama side of things is all right, and there were a couple instances of watchable action.
But Jet Li can do way better. Jet Li HAS done way better. Just look at "Fist Of Legend", for example. Overall, don't waste your time with this one.
Was this review helpful? Sign in to vote. The top of the genre. The two boys' friendship is a prime example and is quite touching. Some people complained about fight scenes being unrealistic wire work. To that I say-every movie from this genre has the same problem, so don't criticize The Enforcer. For those of you who plan to watch this on DVD: Subtitles draw your eyes away so you miss certain things, and the video transfer was pretty bad on the imported version.
Bottom line--add this to your collection, it's a keeper. Good eibon09 22 December I was entertained when I saw this Jet Li film in a second hand theater.