In White’s view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and Metahistory: The Historical Imagination in Nineteenth-Century Europe. Front Cover · Hayden White . Since its initial publication in , Hayden White’s Metahistory has remained an essential book for understanding the nature of historical. Title, Metahistory: the historical imagination in nineteenth-century Europe / Hayden White. Author, White, Hayden V., Extent, dpi TIFF G4 page images.

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His books and essays analyze the narratives of nineteenth-and twentieth-century historians and philosophers, suggesting that historical discourse is a form of fiction that can be classified and studied on the basis of its structure and its use of language.

He makes interesting statements and I think he made a great starting points of presenting his ideas on historiography and its fictive elements. This undermined confidence in histories claim to be objective and scientific. The Historical Imagination in Nineteenth-century Europe tge a work of historiography by Hayden White first published in Items that negate on the figurative level what they say on the literal level.

Metahistory: The Historical Imagination in Nineteenth-century Europe – Wikipedia

Books by Hayden White. Second go round on this behemoth.

The Historical Imagination in Nineteenth-Century Europe, historical discourse can be classified into the literary patterns of tragedy, comedy, romance, and irony. American Historical Association members Sign in via society site. Nov 07, Klay Kubiak rated it it was amazing. The Poetics of History and.


Metahistory: the historical imagination in nineteenth-century Europe

To see what your friends thought of this book, please sign up. This was a difficult book for me to get through – never read literary theory, and have not read much historiography, and they both give me headaches.

No festive occasions except false or illusory ones. Janine Renee rated it it was amazing Mar 09, I guess you could call me a White sympathizer.

Or maybe it is a more general question we all must answer and, for those of us who are historically minded, the study of the expanse of time brings the question front and center.

Email alerts New issue alert. White’s broad purpose in Metahistory is to trace how the nineteenth-century historians escaped from the Irony that dominated Enlightenment historiography and from the ‘irresponsible faith’ of the Romantics, only to lapse back into Irony at the end of the century.

Retrieved from ” https: White received his B.

You take a long enough perspective on history and it all seems nineteenth-fentury. His main argument that historiography has thus far only been literary representations of past events that just like other literature can be categorized can only be regarded as close to the truth; yet, the consequences While some parts are really hard to read, other parts are quite fun and I love White’s ironical and sometimes almost taunting writing.


Metahistory: the historical imagination in nineteenth-century Europe

Want to Read saving…. Account Options Sign in. Kithika rated it liked it Dec 23, Skip to main content. He is the whhite of a number of books published by Johns Hopkins, including Tropics of Discourse: And a good portion of these eight authors did not believe the march of history was necessarily toward something good or better.

Metahistory: The Historical Imagination in Nineteenth-Century Europe

It metahistorry very much a work of its time, in that like contemporaries Thomas Kuhn and Michel Foucault, White is very much concerned with historizication and discontinuity. Rethinking History, 9, The story is explained by construction of a nomological-deductive argument.

And, like Walter Brennan’s character, I prefer simply to not play that whole game rather than deal with the heelots.

Historical Consciousness and the Rehirth. Events can be explained by being set in the context of their occurrence. We live in an incredibly ironic age.