G.I. JOE: THE RISE OF COBRA Written by Stuart Beattie, John Lee Hancock, Brian Koppelman & David Levien November 3rd, DARKNESS. SILENCE. G.I.-Joe: Retaliation script at the Internet Movie Script Database. G.I. Joe: The Rise of Cobra Script taken from a transcript of the screenplay and/or the Channing Tatum and Joseph Gordon-Levitt movie.

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Other agencies will be handling this from here on. The director was running behind. Flint, get your ass back to the team. It’s four bank vaults. The following words sear onto screen: Well, you’re not exactly my first-round draft pick, but I’ve always been a fan.

G.I. Joe: Retaliation Movie Script

It wasn’t pretty, but Duke is getting effective. Their speedometers reading 15mph Now it is retalaition new state of play, a constant, unavoidable Makes you wonder about your neighbours. A thousand yard stare in his eyes. Duke gives hand signals along with his commands. Colton’s team, it’s our honour. DUKE You’re off the mission.


DeCobray shouts to the room, calming the others somewhat. They hear the third one about to rocket up– Oh, I bet that endears you to the people. Runs a lab in Paris.

G.I. Joe: Retaliation: The Abridged Script | The Editing Room

Look, if the Commander-in-Chief is an imposter and he’s the one that ordered the attack, we have to assume that there’s no one we can trust. Team three headed upstairs. It’s not like I don’t hear what you’re saying.

The mother screams out for her child as the girl goes over the railing. Where is the prison that holds Cobra Commander and Destro? Storm Shadow turns to him.

Storm Shadow opens it and shows him the three remaining warheads. Go, go, go, go, go!

Slightly younger and with none of the cold viciousness she displayed earlier. Ana is now an inch from the extended barrel.

G.I. Joe: Retaliation (2013) Movie Script

Snake-Eyes turns away, done with him. Let me tell you a little bit about the place. Put some pressure on it. Wringing money out of NATO. HAWK Ten nations signed on in their first year. Duke charges directly at the building.


Duke and Ripcord follow hesitantly with the scirpt case. No, no, no, no. It’s why I left, Ana.


He stares at her suspiciously, then softens. Ripcord winces at the sight. I can bring you one. We’re out of here.