Vincent van Gogh and Paul Gauguin | HowStuffWorks
Certain relationships are charged with an intensity of feeling that incinerates the Van Gogh wrote to Gauguin in early October of . then revisit Gauguin's advice on overcoming rejection and Van Gogh on love and art. Vincent van Gogh and Paul Gauguin - The turbulent relationship between Vincent He enlisted Theo's help to bring his vision of the "Studio of the South" into. Van Gogh and Gauguin: The Real Story Behind van Gogh's Severed Ear The official version about van Gogh's legendary act of self-harm usually goes that the .
Theo took several on consignment, and van Gogh persuaded Gauguin to trade one of his tropical landscapes with figures for two of his own studies of sunflowers. Paul Gaugin painted Van during his time in the Yellow House.
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Now Gauguin was living in Brittany, where he worked in a bold, unorthodox manner that depended as much upon imagination as observation. He had already approached Theo for financial help, and van Gogh had a solution: Give Gauguin a train ticket and encourage him to move to Arles.
His ambivalence did not deter van Gogh, who quickly immersed himself in preparing the Yellow House for Gauguin's arrival, decorating the guest room with fine furnishings and his recent paintings of radiant sunflower bouquets. Throughout the summer and into the early autumn, Gauguin and van Gogh exchanged letters, sharing their ideas and descriptions of their current work.
By the end of October, when Gauguin finally arrived in Arles, van Gogh was overwrought with anticipation.
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At first Gauguin proved a calming presence, taking over the household chores, cooking nourishing meals, and fascinating van Gogh with tales of his travels with the merchant marines.
Van Gogh took Gauguin to his favorite painting sites in Arles where they worked together. Gauguin's powerful image of spirituality in Brittany, Vision After the Sermoninspired van Gogh to be even bolder in his color and his composition, as seen in his reinterpretation of The Sower, a longstanding favorite motif. As the weeks passed, and inclement weather forced them to work more often in the cramped confines of the Yellow House, their different views often led to heated debates.
Gauguin urged van Gogh to rely more on his memory and imagination, but van Gogh remained firmly committed to working in the open air, in front of his model. In his letters to Theo, van Gogh described his struggle to incorporate Gauguin's suggestions into his method. Gauguin was more blunt, writing to their mutual friend Bernard that Arles fell short of his expectations, and that he and van Gogh did not see eye to eye.
According to Gauguin's account, on the evening of December 23,van Gogh confronted him with a razor, demanding to know if he intended to leave Arles. Gauguin's confirmation further upset van Gogh, who turned and fled.
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Written at a critical point in the careers of both men, it refers to dreams of founding a utopian community of brother artists, of a new artistic renaissance, and of paintings now recognised as masterpieces.
The reality was to be less idyllic. Shortly after the missive was sent, the pair quarrelled violently and in one of history's most notorious acts of self-mutilation, Van Gogh sliced off his right ear.
It was an act that marked the Dutchman's final decline into madness and suicide. Thomas Venning, an expert with the auction house Christie's, said the document offered an insight into the "most famous artistic menage in history". The previous week, after months of procrastination, Gauguin had arrived to live and paint with Van Gogh for one or two years.
At the time, the French art world was moving from impressionism to modernism and surrealism, but Van Gogh and Gauguin had yet to be widely recognised. Van Gogh, mentally fragile and prone to violent mood swings, was fired up with childlike excitement.
In the letter, he gives his first impressions of the French painter. In Gauguin, blood and sex prevail over ambition. It promises to become a beautiful thing.