An examination of the relationship between Othello and Desdemona, and the essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello;. Get an answer for 'Examine Othello and Desdemona's relationship in William Shakespeare's play. Does he truly love her? Provide supporting quotes with. However, the personal relationship between Othello and Iago is much more On the subject of her relationship with Othello, Desdemona says.
Two people in love, each completes the other.
Relationship of Othello and Desdemona Essay Example for Free
That is how Desdemona and Othello, together, look at first sight. He has unruly temper, and she is calm; she is compassionate, he needs this; she adores him, and so does he adore her. Both with such passion for each other. His lack of trust and his dubiety crush his common sense and Iago sows the seed of jealousy and suspicion so easily.
Nevertheless Othello never stops loving Desdemona, nor she stops loving and supporting him, even when he is far more different than a trusting, gentle husband. Yet the destruction of their initial idyll is inevitable.
And then the fate of this marriage, this love would still be uneasy. The young beauty Desdemona is adored by several men in the play. So calm person she is, but is the one that causes such rage, resentment and jealousy among those men. Ironically, the man with whom she is suspected of adultery does not fell like that for her. Although she appears as the unit of friction and suspicions in the tragedy, she is one of the most moderate characters.
In marrying a 'Moor', Desdemona flies in the face of convention and faces familial and societal criticism for her bold choice. Her father is shocked and dismayed: She fell in love with his stories of valour; "These things to hear would Desdemona seriously incline". This also shows that she is not a passive, submissive character in that she decided she wanted him and she pursued him. On the subject of her relationship with Othello, Desdemona says: That I did love the Moor to live with him, My downright violence and storm of fortunes May trumpet to the world: I saw Othello's visage in his mind, And to his honour and his valiant parts Did I my soul and fortunes consecrate.
While Othello appears confident of her love for him in Act 1 deep down he is insecure in the relationship. He can't quite believe how happy he is that she loves him: If it were now to die, 'Twere now to be most happy; for I fear, My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate. When Iago starts making vague suggestions of Cassio's untrustworthy nature Othello's confidence is knocked sideways very rapidly: This would point to him being more worried about his hurt pride than about the fact that she might not love him.
Desdemona, unlike her husband, is not insecure, even when called a 'whore' she remains loyal to him and resolves to love him despite his misunderstanding of her; she is resolute and tenacious in the face of adversity.
So preposterous does it appear to him that he must suppose Othello has charmed her with drugs and magic. He cries out in his desperation: He reiterates his belief that it is "against all rules of nature," and speaks of Othello's supposed magic as "practices of cunning hell.
Relationships in Othello - hidden-facts.info
It seems likely that this was also the opinion of the dramatist, for there is abundant evidence that it was always so regarded on the Elizabethan stage. Only the development of the drama will show how far Shakespeare sympathizes with this opinion. Two deeds upon the part of Othello have now brought him into active collision with other persons, and the two are related to each other.
Because of his obligations to Cassio in the matter of his love-making with Desdemona he has appointed him to an important position over lago, thus making an enemy of his faithful officer.
Relationship of Othello and Desdemona Essay
He has also stolen away Desdemona from her father, and secretly married her, making an enemy of Brabantio, who had been one of his greatest admirers among the Senate. In both cases there is evidence of his callousness and dullness of mind. Up to this point Othello had been able to carry successfully his exalted responsibility in his adopted state, but in these matters he makes a complete break-down.
Not even his superior military training could save him. He could perform well the duties of military life, but now it begins to be evident that he is not fitted for the higher and more exacting arts of peace, and especially of love, in a civilized state. When Othello leaves "the tented fields" for the streets and homes of a refined city he utterly goes to pieces, and whatever sense of honor he may have had speedily gives place to a dangerous caprice.
An unsuspected weakness, or deficiency, in his character is thus laid bare, upon which the whole tragedy will later be seen to turn. This deficiency, it is now important to notice, the play implies is due to his racial character, and comes from the fact that he is a Moor.
The half- civilized Othello is but ill adapted for life in civilized and cultured Venice. Some critics endeavor to make out that nothing whatever of the happenings of the play are in any way connected with the fact that Othello is a Moor. They allege he is nothing but a man, though he happens to be a black man. His color, they say, is an entirely indifferent matter in the play, and can be all but ignored in the interpretation.
On this assumption, however, the many references to his color and race throughout the play cannot well be explained. This view takes for granted that the dramatist heaps up idle words having no significance, and refuses to believe that there was a meaning in all he wrote.
It is not necessary to hold, as Professor Bradley would have us believe, that the dramatist must be credited with clear doctrines of Kulturgeschichte if we are to maintain that he made the problem of Othello at least in part a problem of race.
Feelings of racial differences did not have to wait for the Germans of later times to write histories of culture.Desdemona character analysis - English Literature AS & A-Level
In Shakespeare's day the discovery of new lands and new peoples must have impressed all thoughtful Europeans with the conception of their own superiority in all the arts and character of civilized life. And the play makes Othello quite as conscious as any one else of his diversity of race, though it is to other causes that he assigns his want of grace and culture.
When charged before the Senate with the abduction of Desdemona, Othello's defence consists of a frank and free admission that he had taken Brabantio's daughter, and an apologetic account of his "whole course of love.
In the course of his apology, his "round unvarnished tale" becomes eloquent with a barbaric sincerity and splendor that almost enlists the sympathy of the Senate. The story of "the battle, sieges, fortune" he had passed is almost as potent with the senators as it had been with Desdemona, who, he says, "lov'd me for the dangers I had passed, And I lov'd her, that she did pity them.
He further says he is ready to abide by the decision of Desdemona, and advises the senate to call her to speak for herself. He considers the marriage to be a matter for themselves alone, and implies that the lady has a right to choose her husband without her father's consent.